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Drammaturgia is a new series of the same title journal published by Salerno Editore until 2003. Issued once a year, it examines the intercultural dynamics of theatre and the differences between literary structures of the discipline and its specific contexts and processes of production and fruition.

Directed by Siro Ferrone with Stefano Mazzoni (until 2022) and Renzo Guardenti (from 2023), the new series of the annual journal «Drammaturgia» is the continuation of the prestigious multidisciplinary publication of the same name founded in 1994 by Ferrone and published with rigorous punctuality until 2003 by Salerno Editrice: ten monographic issues and eight notebooks, for a total of more than 4500 pages. The new series is published by Firenze University Press, both in print and in electronic form. The contents of «Drammaturgia» (original essays, documents, texts, bibliographic repertories, ongoing research) are available in open access. The journal investigates a long-term diachronic arc – from the ancient world to today –  in a historical-philological perspective attentive to intercultural dynamics and to the differences between the literary crystallizations of the theatre and the specific contexts and processes of production, staging and consumption of live theatre. In addition to the annual issue of the journal, reviews and commentary on current topics are published quarterly since 2001 on the website «Drammaturgia» (http://drammaturgia.fupress.net). A close and fruitful scientific collaboration is established between «Drammaturgia» and AMAtI, Multimedia Archive of Italian Actors (http://amati.fupress.net). The editorial staff of the journal is based in the Department of History, Archeology, Geography, Fine and Performing Arts of the University of Florence (Head Office in via Gino Capponi, 9).

Editor-in-Chief:
Sara Mamone, Università di Firenze, Italy
ISSN 2283-5644 (online)
Drammaturgia is indexed in:

Ultimo numeroAnno XXII / n.s. 12 – 2025

Pubblicato dicembre 24, 2025

Descrizione del fascicolo

Dossier Il modello spettacolare italiano in europa. Parte prima

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Sommario

Sulla disseminazione del modello spettacolare italiano nell’Europa del Settecento. Una premessa
Renzo Guardenti
7-9
DOI: https://doi.org/10.36253/dramma-17013
Non solo attori. Modelli organizzativi e gestionali tra Sei e Settecento tra Napoli e l’Europa
Francesco Cotticelli
11-22
DOI: https://doi.org/10.36253/dramma-16998
Vicende di teatro nelle carte dei notai reali napoletani del Settecento
Paologiovanni Maione
23-36
DOI: https://doi.org/10.36253/dramma-16999
Fra Milano e Barcellona: viaggi teatrali di impresari e artisti alla corte di Carlo III d’Asburgo
Roberta Carpani
37-52
DOI: https://doi.org/10.36253/dramma-17000
Economia di un disastro. Gestione dei teatri prima e dopo il terremoto di Lisbona (1755)
Giuseppina Raggi
53-71
DOI: https://doi.org/10.36253/dramma-17001
Following the Path of an Ingenious Impresario in 18th Century Lisbon
José Camões, Bruno Henriques, Licínia Ferreira
73-88
DOI: https://doi.org/10.36253/dramma-17002
More splendour? Additional Musicians at the Munich Court in the 18th Century
Berthold Over
89-130
DOI: https://doi.org/10.36253/dramma-17003
Il primo teatro d’opera commerciale di Vienna (1728–1748) tra gestione impresariale e direzione cortigiana
Andrea Sommer-Mathis
131-151
DOI: https://doi.org/10.36253/dramma-17004
Gli impresari in precariato: Mingotti e Crosa e la prima diffusione dell’opera buffa fuori dall’Italia
Andrea Zedler
153-166
DOI: https://doi.org/10.36253/dramma-17005
The Actress beyond the Stage
Marta Brites Rosa
167-178
DOI: https://doi.org/10.36253/dramma-17006
Una nuova fonte librettistica sugli esordi di Anna Lucia De Amicis: ‘Catone in Utica’ (Mazzarino, 1752)
Tarcisio Balbo
179-212
DOI: https://doi.org/10.36253/dramma-17007

Saggi

Spettacoli da perdere la testa. Ciarlataneria e illusionismo nel secondo Cinquecento
Andrea Giovanni Strangio
213-231
DOI: https://doi.org/10.36253/dramma-17008
Luigi Marchionni traduttore, adattatore, dramaturg
Mariagabriella Cambiaghi
233-253
DOI: https://doi.org/10.36253/dramma-17009

Ricerche in corso

La solitudine dell’attore: Teresa Franchini e Febo Mari. Nuove voci per l’Archivio AMAtI
Francesca Simoncini
255-257
DOI: https://doi.org/10.36253/dramma-17010
Teresa Franchini
Antonia Liberto
259-283
DOI: https://doi.org/10.36253/dramma-17011
Febo Mari
Laura Piazza
285-317
DOI: https://doi.org/10.36253/dramma-17012
Summaries
319-326
DOI: https://doi.org/10.36253/dramma-17014
Gli autori
327-333
DOI: https://doi.org/10.36253/dramma-17015
I referees
335-336
DOI: https://doi.org/10.36253/dramma-17016
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