‘the dreamscape of nostalgia’: Shakespearean Biography: Too Much Information (but not about Shakespeare) William Leahy 31-52 PDF
Shakespeare in <em>Arden of Faversham</em> and the Additions to <em> The Spanish Tragedy</em>: Versification Analysis Marina Tarlinskaja 175-200 PDF
‘ready apparrelled to begyn the play’: Collaboration, Text and Authorship in Shakespeare’s Theatre and on the Stage of the <em>Commedia dell’Arte</em> Paola Pugliatti 237-260 PDF
‘mere prattle without practice’: Authorship in Performance Thomas Betteridge, Gregory Thompson 261-274 PDF
Between Authorship and Oral Transmission: Negotiating the Attribution of Authorial, Oral and Collective Style Markers in Early Modern Playtexts Lene Petersen 277-306 PDF
Non-Traditional Authorship Attribution Studies of William Shakespeare’s Canon: Some Caveats Joseph Rudman 307-328 PDF
‘by curious Art compild’: <em>The Passionate Pilgrime</em> and the Authorial Brand Donatella Pallotti 383-407 PDF
Transmission as Appropriation: The Early Reception of John Benson’s Edition of Shakespeare’s <em>Poems</em> (1640) Jean-Christophe Mayer 409-422 PDF
