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Vol 5 (2016): The Many Lives of William Shakespeare: Biography, Authorship and Collaboration
Published
March 16, 2016
Issue Description
Edited by William Leahy and Paola Pugliatti
##issue.tableOfContents##
Full Issue
Jems 5-2016 - Full Issue
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Articles
Cover
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Editorial
Editorial
William Leahy, Paola Pugliatti
11-13
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Part One - Introduction
Everything and Nothing: The Many Lives of William Shakespeare
Roger Chartier
17-26
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Part Two - Case Studies
‘the dreamscape of nostalgia’: Shakespearean Biography: Too Much Information (but not about Shakespeare)
William Leahy
31-52
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William Shakespeare, My New Best Friend?
Andrew Hadfield
53-68
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Shakespearian Biography and the Geography of Collaboration
Katherine Scheil
69-90
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Shakespeare and Warwickshire Dialect
Rosalind Barber
91-118
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‘Fabricated Lives’: Shakespearean Collaboration in Fictional Forms
Robert Sawyer
119-132
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Text, Style, and Author in <em>Hamlet</em> Q1
Christy Desmet
135-156
PDF
Authors of the Mind
Marcus Dahl
157-173
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Shakespeare in <em>Arden of Faversham</em> and the Additions to <em> The Spanish Tragedy</em>: Versification Analysis
Marina Tarlinskaja
175-200
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Exploring Co-Authorship in <em>2 Henry VI</em>
Darren Freebury-Jones
201-216
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Shakespeare and Middleton’s Co-Authorship of <em>Timon of Athens</em>
Eilidh Kane
217-235
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‘ready apparrelled to begyn the play’: Collaboration, Text and Authorship in Shakespeare’s Theatre and on the Stage of the <em>Commedia dell’Arte</em>
Paola Pugliatti
237-260
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‘mere prattle without practice’: Authorship in Performance
Thomas Betteridge, Gregory Thompson
261-274
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Between Authorship and Oral Transmission: Negotiating the Attribution of Authorial, Oral and Collective Style Markers in Early Modern Playtexts
Lene Petersen
277-306
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Non-Traditional Authorship Attribution Studies of William Shakespeare’s Canon: Some Caveats
Joseph Rudman
307-328
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Hand D and Shakespeare’s Unorthodox Literary Paper Trail
Diana Price
329-352
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Fake Shakespeare
Gary Taylor
353-379
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‘by curious Art compild’: <em>The Passionate Pilgrime</em> and the Authorial Brand
Donatella Pallotti
383-407
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Transmission as Appropriation: The Early Reception of John Benson’s Edition of Shakespeare’s <em>Poems</em> (1640)
Jean-Christophe Mayer
409-422
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Contents
7-9
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Contributors
423-426
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