Editorial William Leahy, Paola Pugliatti 11-13 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18065
Everything and Nothing: The Many Lives of William Shakespeare Roger Chartier 17-26 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18066
‘the dreamscape of nostalgia’: Shakespearean Biography: Too Much Information (but not about Shakespeare) William Leahy 31-52 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18081
William Shakespeare, My New Best Friend? Andrew Hadfield 53-68 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18082
Shakespearian Biography and the Geography of Collaboration Katherine Scheil 69-90 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18083
Shakespeare and Warwickshire Dialect Rosalind Barber 91-118 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18084
‘Fabricated Lives’: Shakespearean Collaboration in Fictional Forms Robert Sawyer 119-132 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18085
Text, Style, and Author in <em>Hamlet</em> Q1 Christy Desmet 135-156 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18086
Shakespeare in <em>Arden of Faversham</em> and the Additions to <em> The Spanish Tragedy</em>: Versification Analysis Marina Tarlinskaja 175-200 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18088
Exploring Co-Authorship in <em>2 Henry VI</em> Darren Freebury-Jones 201-216 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18089
Shakespeare and Middleton’s Co-Authorship of <em>Timon of Athens</em> Eilidh Kane 217-235 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18090
‘ready apparrelled to begyn the play’: Collaboration, Text and Authorship in Shakespeare’s Theatre and on the Stage of the <em>Commedia dell’Arte</em> Paola Pugliatti 237-260 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18091
‘mere prattle without practice’: Authorship in Performance Thomas Betteridge, Gregory Thompson 261-274 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18092
Between Authorship and Oral Transmission: Negotiating the Attribution of Authorial, Oral and Collective Style Markers in Early Modern Playtexts Lene Petersen 277-306 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18093
Non-Traditional Authorship Attribution Studies of William Shakespeare’s Canon: Some Caveats Joseph Rudman 307-328 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18094
Hand D and Shakespeare’s Unorthodox Literary Paper Trail Diana Price 329-352 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18095
‘by curious Art compild’: <em>The Passionate Pilgrime</em> and the Authorial Brand Donatella Pallotti 383-407 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18097
Transmission as Appropriation: The Early Reception of John Benson’s Edition of Shakespeare’s <em>Poems</em> (1640) Jean-Christophe Mayer 409-422 PDF DOI: https://doi.org/10.13128/JEMS-2279-7149-18098
