Published March 16, 2016

Issue Description

Edited by William Leahy and Paola Pugliatti

##issue.tableOfContents##

Full Issue

Jems 5-2016 - Full Issue
PDF

Articles

Cover
PDF

Editorial

Editorial
William Leahy, Paola Pugliatti
11-13
PDF

Part One - Introduction

Everything and Nothing: The Many Lives of William Shakespeare
Roger Chartier
17-26
PDF

Part Two - Case Studies

‘the dreamscape of nostalgia’: Shakespearean Biography: Too Much Information (but not about Shakespeare)
William Leahy
31-52
PDF
William Shakespeare, My New Best Friend?
Andrew Hadfield
53-68
PDF
Shakespearian Biography and the Geography of Collaboration
Katherine Scheil
69-90
PDF
Shakespeare and Warwickshire Dialect
Rosalind Barber
91-118
PDF
‘Fabricated Lives’: Shakespearean Collaboration in Fictional Forms
Robert Sawyer
119-132
PDF
Text, Style, and Author in <em>Hamlet</em> Q1
Christy Desmet
135-156
PDF
Authors of the Mind
Marcus Dahl
157-173
PDF
Shakespeare in <em>Arden of Faversham</em> and the Additions to <em> The Spanish Tragedy</em>: Versification Analysis
Marina Tarlinskaja
175-200
PDF
Exploring Co-Authorship in <em>2 Henry VI</em>
Darren Freebury-Jones
201-216
PDF
Shakespeare and Middleton’s Co-Authorship of <em>Timon of Athens</em>
Eilidh Kane
217-235
PDF
‘ready apparrelled to begyn the play’: Collaboration, Text and Authorship in Shakespeare’s Theatre and on the Stage of the <em>Commedia dell’Arte</em>
Paola Pugliatti
237-260
PDF
‘mere prattle without practice’: Authorship in Performance
Thomas Betteridge, Gregory Thompson
261-274
PDF
Between Authorship and Oral Transmission: Negotiating the Attribution of Authorial, Oral and Collective Style Markers in Early Modern Playtexts
Lene Petersen
277-306
PDF
Non-Traditional Authorship Attribution Studies of William Shakespeare’s Canon: Some Caveats
Joseph Rudman
307-328
PDF
Hand D and Shakespeare’s Unorthodox Literary Paper Trail
Diana Price
329-352
PDF
Fake Shakespeare
Gary Taylor
353-379
PDF
‘by curious Art compild’: <em>The Passionate Pilgrime</em> and the Authorial Brand
Donatella Pallotti
383-407
PDF
Transmission as Appropriation: The Early Reception of John Benson’s Edition of Shakespeare’s <em>Poems</em> (1640)
Jean-Christophe Mayer
409-422
PDF
Contents
7-9
PDF
Contributors
423-426
PDF
View All Issues