Vol 14, No 2 (2021): Finalism in judgment, finalism of judging

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Table of Contents

Monographica

Foreword. Finalism and Judgement
Fabrizio Desideri, Mariagrazia Portera
3
DOI: https://doi.org/10.36253/Aisthesis-13336
A New Image of Humanity? A Transcendental in the Making
Stefano Velotti
5-15
DOI: https://doi.org/10.36253/Aisthesis-13204
The The Teleological Program. Ernst Mayr’s Teleonomy from Philosophy to Cybernetics (or Kant’s Revenge)
Francesco Vitale
17-28
DOI: https://doi.org/10.36253/Aisthesis-12754
Kant on the Purposiveness of the Reflecting Power of Judgment
Luigi Filieri
29-40
DOI: https://doi.org/10.36253/Aisthesis-12786
Systematicity, Purposiveness, Necessity: from the transcendental deduction of the ideas to the transcendental deduction of the principle of purposiveness of nature
Lorenzo Sala
41-53
DOI: https://doi.org/10.36253/Aisthesis-12755
From the first to the third Critique. Judgment sensible position and Kant’s concept of Zweckmäßigkeit
Antonio Branca
55-64
DOI: https://doi.org/10.36253/Aisthesis-13083
Husserl’s Teleologie der «tiefen» Assoziationen as Foundation of the Theory of Judgment in comparison with Millikan’s Teleosemantic Theory
Andrea Lanza
65-78
DOI: https://doi.org/10.36253/Aisthesis-13152
Contradiction That Never Was: Epigenesis versus Modularity in Evolutionary Aesthetics
Onerva Kiianlinna
79-91
DOI: https://doi.org/10.36253/Aisthesis-13054
Teleology as a way to religion. Hölderlin and the antinomy of judgement
Barbara Santini
93-100
DOI: https://doi.org/10.36253/Aisthesis-13214

Focus

Labyrinth, Ruin, Junkspace, Monad: dialectical images of the contemporary city
Fabrizio Desideri
101-109
DOI: https://doi.org/10.36253/Aisthesis-13213
Filter Bubbles. Art and digital worlds
Francesca Perotto
111-121
DOI: https://doi.org/10.36253/Aisthesis-12474
Aesthetic experience as a framing of reality: the impact of digital media on visual perception, between pandemic context and museum approach
Caterina Zaira Laskaris
123-133
DOI: https://doi.org/10.36253/Aisthesis-12404

Varia

The The Bride Machine: Duchamp’s Theory of Art Revisited
Ricardo Ibarlucía
135-145
DOI: https://doi.org/10.36253/Aisthesis-13216
Robert Smithson’s aesthetics and the future of Earth Art
Mariya Veleva
147-158
DOI: https://doi.org/10.36253/Aisthesis-12477
The Classification of the Substantive Arts
David Alvarogonzàlez
159-168
DOI: https://doi.org/10.36253/Aisthesis-12470
Salvation in the rhythm? Crisis and limitation in Henry Maldiney
Carmelo Colangelo
169-179
DOI: https://doi.org/10.36253/Aisthesis-12677

Notes

Note e recensioni
181-190
DOI: https://doi.org/10.36253/Aisthesis-13340
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