Vol. 128 No. 2 (2024)
Original Article

Chronic mastitis or breast cancer in The Charity by Francesco Salviati? An educational discussion

Ferdinando Paternostro
Department of Experimental and Clinical Medicine, University of Florence, Florence, Italy
Donatella Lippi
Department of Experimental and Clinical Medicine, University of Florence, Florence, Italy
Elisa Zucchini
Department of History, Archaeology, Geography, Fine and Performing Art, University of Florence, Florence, Italy
Jacopo Nori
Department of Radiology, Breast Imaging Unit, Azienda Ospedaliero-Universitaria Careggi, Florence, Italy
Francesco Galassi
Department of Anthropology, Faculty of Biology and Environmental Protection, University of Lodz, Łódź, Poland
Andreas G. Nerlich
Department of Forensic Histopathology, Paleopathology and Mummy Research, Institute of Legal Medicine, Ludwig-Maximilians Universität, München, Germany
Raffaella Bianucci
Paris-Saclay University, Laboratory of Anthropology, Archaeology and Biology (LAAB), Montigny-le-Bretonneux, Yvelines, France

Published 2024-12-31

Keywords

  • Art and Medicine,
  • breast cancer,
  • chronic mastitis,
  • human anatomy,
  • paleopathology

How to Cite

Paternostro, F., Lippi, D., Zucchini, E., Nori, J., Galassi, F., Nerlich, A. G., & Bianucci, R. (2024). Chronic mastitis or breast cancer in The Charity by Francesco Salviati? An educational discussion. Italian Journal of Anatomy and Embryology, 128(2), 55–60. https://doi.org/10.36253/ijae-15580

Abstract

In the present communication, the painting La Carità (The Charity) by Francesco de Rossi, also known as Salviati (1510-1563), is examined from a multidisciplinary perspective, combining the following disciplines: human anatomy, palaeopathology and history of art. In the impossibility to establish a final diagnosis due to the artistic nature of the artwork, the anatomical alterations found on the iconographic representation are discussed in light of two alternative hypotheses, namely chronic mastitis or breast cancer. Once more the intersection between medicine and art can be found to be of excellent use both for increasing the ancient record of diseases and in an educational effort to train the eye of future physicians.

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