CONDIZIONI DI POSSIBILITÀ – Letteratura e cultura visuale, a cura di F. Fastelli
Published 2020-12-31
Keywords
- collage, Concrete Poetry, experimental, iconism, visual
Abstract
This essay briefly proposes an overview about some verbo-visual creations of Adriano Spatola, the “zeroglyphics”, made from 1965 to the late eighties, that act as an example of Neo-avantgarde’s experimentation. It aims to highlight the iconism of these texts which erode the word, even the letter, to open the doors to a new language.
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