La scommessa verbo-visuale di Adriano Spatola
Copyright (c) 2020 Clementina Greco
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This essay briefly proposes an overview about some verbo-visual creations of Adriano Spatola, the “zeroglyphics”, made from 1965 to the late eighties, that act as an example of Neo-avantgarde’s experimentation. It aims to highlight the iconism of these texts which erode the word, even the letter, to open the doors to a new language.