Vol 8 (2019): Beyond Books and Plays: Cultures and Practices of Writing in Early Modern Theatre

Issue Description

Edited by Raimondo Guarino and Lene Buhl Petersen

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Table of Contents

Full Issue

Jems 8-2019: Full Issue
DOI: https://doi.org/10.13128/JEMS-2279-7149-24874

Articles

Cover
DOI: https://doi.org/10.13128/JEMS-2279-7149-24875
Preliminaries
1-4
DOI: https://doi.org/10.13128/JEMS-2279-7149-24876

Editorial

Editorial
Raimondo Guarino
7-16
DOI: https://doi.org/10.13128/JEMS-2279-7149-24878

Part One - Introduction

A Nomenclature for the Cultures and Practices of Writing in Early Modern Theatre
Lene Buhl Petersen
19-27
DOI: https://doi.org/10.13128/JEMS-2279-7149-24879

Part Two - Case Studies

About French Vernacular Traditions: Medieval Roots of Modern Theatre Practices
Darwin Smith
33-67
DOI: https://doi.org/10.13128/JEMS-2279-7149-24880
Acting and Reading Drama: Notes on Florentine sacre rappresentazioni in Print
Paola Ventrone
69-132
DOI: https://doi.org/10.13128/JEMS-2279-7149-24883
Beyond the Bad Quarto: Exploring the Vernacular Afterlife of Early Modern Drama
Thomas Pettitt
133-171
DOI: https://doi.org/10.13128/JEMS-2279-7149-24885
Visions of the City in Seventeenth-Century Roman Popular Theatre
Roberto Ciancarelli
173-188
DOI: https://doi.org/10.13128/JEMS-2279-7149-24886
‘Pawn! Sufficiently Holy But Unmeasurably Politic’: The Pawns Plot in Middleton’s <em>A Game at Chess</em>
Christopher Haile
191-224
DOI: https://doi.org/10.13128/JEMS-2279-7149-24887
An Eighteenth-Century <em>mise en scène</em> and the Play of Refractions: Essayists, Critics, Spectators, and an Actor Negotiate Meanings
Maria Grazia Dongu
225-247
DOI: https://doi.org/10.13128/JEMS-2279-7149-24888
The Diminution of Thomas Kyd
Darren Freebury-Jones
251-277
DOI: https://doi.org/10.13128/JEMS-2279-7149-24889
Contents
5-6
DOI: https://doi.org/10.13128/JEMS-2279-7149-24877
Contributors
279-280
DOI: https://doi.org/10.13128/JEMS-2279-7149-24890
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