VII (2013)

Table of Contents

Editorial

Questo numero / About this issue
Curtis Roads
5-6
DOI: https://doi.org/10.13128/Music_Tec-13204

Articles

Phase Vocoder
J.L. Flanagan, R.M. Golden
9-25
DOI: https://doi.org/10.13128/Music_Tec-13205
La voce senz’anima: origine e storia del Vocoder
Paolo Zavagna
27-63
DOI: https://doi.org/10.13128/Music_Tec-13206
From Sound Morphing to the Synthesis of Starlight. Musical experiences with the Phase Vocoder over 25 years
Trevor Wishart
65-69
DOI: https://doi.org/10.13128/Music_Tec-13207
Introduction to two articles on the computational and mathematical developments of the phase vocoder
Davide Rocchesso
71-72
DOI: https://doi.org/10.13128/Music_Tec-13208
Phase vocoder and beyond
Marco Liuni, Axel Röbel
73-89
DOI: https://doi.org/10.13128/Music_Tec-13209
Arbitrary Phase Vocoders by means of Warping
Gianpaolo Evangelista, Monika Dörfler, Ewa Matusiak
91-118
DOI: https://doi.org/10.13128/Music_Tec-13210

Abstracts

Abstracts
119-121
DOI: https://doi.org/10.13128/Music_Tec-13211
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