Vol. 2 No. 3 (2016)
Saggi

I “drammi d’oggetti” nelle fotografie di Italo Bertoglio, tra avanguardie artistiche e comunicazione pubblicitaria

PDF (Italiano)
  • Erica Bassignana
DOI: https://doi.org/10.14601/RSF-18543

Published 2016-08-07

Keywords

  • Italo Bertoglio,
  • still-life photography,
  • avant-garde,
  • futurism,
  • advertising

How to Cite

Bassignana, E. (2016). I “drammi d’oggetti” nelle fotografie di Italo Bertoglio, tra avanguardie artistiche e comunicazione pubblicitaria. Rivista Di Studi Di Fotografia. Journal of Studies in Photography, 2(3), 50–73. https://doi.org/10.14601/RSF-18543
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Abstract

Working in Turin during the interwar period and conversant with the international debate of the avant-garde, engineer-photographer Italo Bertoglio (1877-1963) developed an original approach to commercial advertising, experimenting with light, framing, and vantage point. In this essay, Bertoglio’s photographic studies are discusssed as “dramas of objects,” in tune with Futurist ideas on art and cinematography.
PDF (Italiano)