V. 2 N. 2 (2012): W.B. Yeats: Visions, Revisions, New Visions, edited by Arianna Antonielli and Fiorenzo Fantaccini
Letteratura, linguistica e arti visive / Literature, Language, and Visual Arts

Tempo e percezione in “The Body Artist” di Don DeLillo e “Ghost Trio” di Samuel Beckett

Pubblicato 2013-03-07

Come citare

Barbuscia, D. (2013). Tempo e percezione in “The Body Artist” di Don DeLillo e “Ghost Trio” di Samuel Beckett. Studi Irlandesi. A Journal of Irish Studies, 2(2), 289–313. https://doi.org/10.13128/SIJIS-2239-3978-12428

Abstract

This essay provides a critical analysis of Don DeLillo’s novel The Body Artist and Samuel Beckett’s work for television Ghost Trio. In particular it analyses the representation of time and its perception in both these works, highlighting some shared aesthetic modalities such as their attempt to depict duration through a poetics of slow motion. The essay also foregrounds how both these works give narrative form to Merleau-Ponty’s understanding of ‘time as its perception’.

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