Introduction: Reconceptualising and Rewriting Wilde across Time Pierpaolo Martino, Lou Pinelli 17-21 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17533
Wilde’s ’Comic Gothic’: Echoes of Edgar Allan Poe in “Lord Arthur Savile’s Crimes” Camilla Del Grazia 23-38 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17534
Walter Pater, Oscar Wilde, and the Anxiety of Queer Influence in The Picture of Dorian Gray Michael F. Davis 39-51 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17535
“The Trees Seemed to Sweep Past Him in Spectral Procession”: Nature’s (Un)sympathy in Oscar Wilde’s The Picture of Dorian Gray Laura Giovannelli 53-69 PDF
The Author is the Creator of Brief Things: Authorial Simulacra in Oscar Wilde’s Poems in Prose Paolo Bugliani 85-100 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17538
Resonant Unwellness: Oscar Wilde, the Physics of Sound, and the Politics of Suffering Lou Pinelli 101-114 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17539
Oscar Wilde in America: Then and Now Pierpaolo Martino 115-129 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17540
Ecofeminist Tropes of the Ocean in Contemporary Irish and Galician Poetry Manuela Palacios 133-145 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17542
Sally Rooney and the Politics of Post-Celtic Tiger Disability Aesthetics: Neurodiversity and Endometriosis as Metaphor Enrica Zaninotto 147-163 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-16755
“The Answer to Every Problem”? Narratives of Boomtime Ireland: Service by Sarah Gilmartin, translated by Valeria Rigoldi. In Conversation with the Author and her Italian Translator Loredana Salis 167-175 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17543
“Knowledge is sacrifice”: Two poems by Antonio Riccardi William Wall 185-193 PDF DOI: https://doi.org/10.36253/SIJIS-2239-3978-17545