Vol. 7 (2018): Out Loud: Practices of Reading and Reciting in Early Modern Times edited by Riccardo Bruscagli and Luca Degl’Innocenti
Part Two - Case Studies

Animated Pulpits: On Performative Preaching in Seventeenth-Century Naples

Teresa Megale
Laboratorio editoriale OA / Dip. LILSI

Published 2018-03-10

How to Cite

Megale, T. (2018). Animated Pulpits: On Performative Preaching in Seventeenth-Century Naples. Journal of Early Modern Studies, 7, 129–138. https://doi.org/10.13128/JEMS-2279-7149-22840


The article foregrounds a number of cases of performative preaching in Naples under Spanish rule with particular attention to the specific form of competition between preachers and professional actors. In the churches and streets of the city, preaching was ever present, nourished by a mix of theatre and sacred oratory, a near realisation of the concept of théâtre sur le théâtre. Examples of this phenomenon are to be found in the cultural transformation of certain actors and impresarios into hypocritical, bigoted preachers and the dazzling voice of Giacomo Lubrano, the Jesuit poet, who created the rhetorical machinery of Neapolitan-style preaching.