Vol. 7 (2018): Out Loud: Practices of Reading and Reciting in Early Modern Times edited by Riccardo Bruscagli and Luca Degl’Innocenti
Part Two - Case Studies

Chivalric Poetry between Singing and Printing in Early Modern Italy

Luca Degl'Innocenti
Laboratorio editoriale OA / Dip. LILSI
Published March 9, 2018
How to Cite
Degl’Innocenti, L. (2018). Chivalric Poetry between Singing and Printing in Early Modern Italy. Journal of Early Modern Studies, 7, 43-62. https://doi.org/10.13128/JEMS-2279-7149-22837

Abstract

Between the fifteenth and sixteenth centuries, chivalric romances were much loved in Italy, both in popular and in learned contexts, and were one of the bestselling genres in the nascent printed book trade. Although traditional blockbusters and brand-new poems alike typically refer to the oral performance of a poet-singer, literary scholars tend to evaluate those references as part of a rhetorical strategy of fictive orality, as literary clichés derived from a performing practice supposedly confined to earlier periods. Nevertheless, upon closer inspection, many authors and texts prove to be linked with real oral performances. Several chivalric poems, in particular, were surely composed, sung, and even improvised by street singers, who also played a very active role in printing and selling them. The paper aims to survey the most relevant evidence, thus reassessing the importance of orality in fostering and disseminating one of the prominent literary genres of Renaissance Italy