Vol 12, No 2 (2019): Bodies and cultures. How we become ourselves

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Table of Contents

Monographica

Some Introductory Remarks on Embodied Cultures and Scenarios for the Times to Come
Chiara Cappelletto
3-9
DOI: https://doi.org/10.13128/Aisthesis-10730
Evolution and Human Cognition
Ian Tattersall
11-18
DOI: https://doi.org/10.13128/Aisthesis-10729
Dance as Experience Field of the Body: A Contribution to Aesthetics
Christoph Wulf
19-26
DOI: https://doi.org/10.13128/Aisthesis-10712
Technical Creativity, Material Engagement and the (Controversial) Role of Language
Pietro Montani
27-37
DOI: https://doi.org/10.13128/Aisthesis-10727
Corpus sive cultura: Nota su tecnica e corpi
Carmine Di Martino
39-50
DOI: https://doi.org/10.13128/Aisthesis-10728
Dal soggetto trascendentale al vivente umano. Corpo e artefatti in Helmuth Plessner
Roberto Redaelli
51-62
DOI: https://doi.org/10.13128/Aisthesis-10725
The technical object and somatic thought: Theories of gesture between anthropology, aesthetics and cinema
Barbara Grespi
63-75
DOI: https://doi.org/10.13128/Aisthesis-10726
Sugli effetti di ritorno della nostra creatività tecnica
Elisa Binda
77-85
DOI: https://doi.org/10.13128/Aisthesis-10715
The Work of Art in a Pragmatist Perspective, between Somaesthetics and Techno-aesthetics
Dario Cecchi
87-99
DOI: https://doi.org/10.13128/Aisthesis-10724

Focus

Florens Christian Rang, La via dell'interpretazione messianica - Marina Montanelli, Florens der Christ. Un commento a La via dell'interpretazione messianica di Florens Christian Rang
Marina Montanelli
101-115
DOI: https://doi.org/10.13128/Aisthesis-10721
Hamlet or Europe and the end of modern Trauerspiel: On some shakespearians motifs in Walter Benjamin
Fabrizio Desideri
117-126
DOI: https://doi.org/10.13128/Aisthesis-10744
«Unbewaffnetes Auge»: Benjamin’s interpretation of comedy in Shakespeare and Molière
Alice Barale
127-133
DOI: https://doi.org/10.13128/Aisthesis-10734

Varia

Revolutionary Laughter: The Aesthetico-Political Meaning of Benjamin’s Chaplin
Ricardo Ibarlucía
135-150
DOI: https://doi.org/10.13128/Aisthesis-10732
A proposito di realtà percettive artificiali
Andrea Togni
151-163
DOI: https://doi.org/10.13128/Aisthesis-10731
The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film
Josep Torelló Oliver, Josephine Swarbrick
165-175
DOI: https://doi.org/10.13128/Aisthesis-10733
Street Art and the New Status of the Visual Arts
Graziella Travaglini
177-194
DOI: https://doi.org/10.13128/Aisthesis-10747

Review

Note & Recensioni
Lorenzo Bartalesi
195-205
DOI: https://doi.org/10.13128/Aisthesis-10735
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