Some Introductory Remarks on Embodied Cultures and Scenarios for the Times to Come Chiara Cappelletto 3-9 PDF DOI: https://doi.org/10.13128/Aisthesis-10730
Dance as Experience Field of the Body: A Contribution to Aesthetics Christoph Wulf 19-26 PDF DOI: https://doi.org/10.13128/Aisthesis-10712
Technical Creativity, Material Engagement and the (Controversial) Role of Language Pietro Montani 27-37 PDF DOI: https://doi.org/10.13128/Aisthesis-10727
Corpus sive cultura: Nota su tecnica e corpi Carmine Di Martino 39-50 PDF DOI: https://doi.org/10.13128/Aisthesis-10728
Dal soggetto trascendentale al vivente umano. Corpo e artefatti in Helmuth Plessner Roberto Redaelli 51-62 PDF DOI: https://doi.org/10.13128/Aisthesis-10725
The technical object and somatic thought: Theories of gesture between anthropology, aesthetics and cinema Barbara Grespi 63-75 PDF DOI: https://doi.org/10.13128/Aisthesis-10726
Sugli effetti di ritorno della nostra creatività tecnica Elisa Binda 77-85 PDF DOI: https://doi.org/10.13128/Aisthesis-10715
The Work of Art in a Pragmatist Perspective, between Somaesthetics and Techno-aesthetics Dario Cecchi 87-99 PDF DOI: https://doi.org/10.13128/Aisthesis-10724
Florens Christian Rang, La via dell'interpretazione messianica - Marina Montanelli, Florens der Christ. Un commento a La via dell'interpretazione messianica di Florens Christian Rang Marina Montanelli 101-115 PDF1 PDF2 DOI: https://doi.org/10.13128/Aisthesis-10721
Hamlet or Europe and the end of modern Trauerspiel: On some shakespearians motifs in Walter Benjamin Fabrizio Desideri 117-126 PDF DOI: https://doi.org/10.13128/Aisthesis-10744
«Unbewaffnetes Auge»: Benjamin’s interpretation of comedy in Shakespeare and Molière Alice Barale 127-133 PDF DOI: https://doi.org/10.13128/Aisthesis-10734
Revolutionary Laughter: The Aesthetico-Political Meaning of Benjamin’s Chaplin Ricardo Ibarlucía 135-150 PDF DOI: https://doi.org/10.13128/Aisthesis-10732
A proposito di realtà percettive artificiali Andrea Togni 151-163 PDF DOI: https://doi.org/10.13128/Aisthesis-10731
The «Musicalised Image»: A Joint Aesthetic of Music and Image in Film Josep Torelló Oliver, Josephine Swarbrick 165-175 PDF DOI: https://doi.org/10.13128/Aisthesis-10733
Street Art and the New Status of the Visual Arts Graziella Travaglini 177-194 PDF DOI: https://doi.org/10.13128/Aisthesis-10747