Vol. 3 No. 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno
Dal mondo dell’arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna
Published May 15, 2012
- Maya Lin
How to Cite
Fimiani, F. (2012). Dal mondo dell’arte al regno delle ombre (e ritorno). Arthur Danto, Maya Lin e la bellezza interna. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 3(2). https://doi.org/10.13128/Aisthesis-11023
AbstractArthur Danto asserts that Maya Lin’s Vietnam Veterans Memorial in Washington embodies the rhetoric paradigm of internal beauty’s meaning. However, the relationship to the Kant’s pulchritudo adhaerens is not an easy one: Danto’s recalls against the self-referent formalism of Greenberg’s Modernism and his tacit issues about the environmental non-monumentality of Richard Serra’s Minimalism, are, most importantly, haunted by the unquestioned spectral logic of the image embodiment. The beholders’ reflecting shape on the funeral Wall is, finally, both a pathetic index and a medial incarnation (Verkörperung) of the underworld.
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