XIII (2019)

Tra il segno e il suono: intervista a Marco Angius

Stefano Alessandretti
Conservatorio di Brescia

Published 2019-12-15


  • Orchestra conducting & technology,
  • Music conducting/sound direction,
  • Marco Angius,
  • Prometeo,
  • Luigi Nono

How to Cite

Alessandretti, S. (2019). Tra il segno e il suono: intervista a Marco Angius. Musica/Tecnologia, 13(1), 35–42. https://doi.org/10.13128/music_tec-11161


In this interview with Marco Angius, the music conductor was asked about the role of technology in musical performances, the problems in the use of technological media and the evolution of his artistic-professional trajectory in electro-acoustic musical productions. Mr. Angius offers insight into a number of topics that stem from his interaction with technology, the splitting of the “sign” from sound and the resulting notational and interpretational problems. He also focuses on his work during the re-performance of Prometeo. Tragedia dell’ascolto by Luigi Nono in Parma in 2017. His thoughts come from a privileged point of view, the person who has at the same time the highest “control” over score and performers, and who embodies the medium between the latter and the electronic instruments.


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