About

"In Italy, every square metre of earth we excavate contains the remains of the body and the actions of a man who existed centuries ago. This land is therefore sacred. What gives us the right to forget that fact?" (Paolo Zermani)


Firenze Architettura is an international journal dedicated to theoretical and applied research in the field of architectural design, which serves as a critical observatory aimed at refounding and conveying the discipline of design by countering development models that disregard the core values of the European city. Each issue offers a space for reflection concerning a specific topic, which is then explored indepth in papers that investigate the design rationale while focusing on contemporary research. The journal also welcomes essays, in the form of editorials, by eminent personalities of European culture who, from an extra-disciplinary point of view, offer a broader understanding of the topic. Over time, Firenze Architettura has become an esteemed tool for the study and dissemination of the culture of architectural design and has been rated by ANVUR as a Class A scientific journal since 2015.


Editor-in-Chief
Paolo Zermani, Università di Firenze, Italy

ISSN 2035-4444 (online)


         
 
Firenze Architettura is indexed in:

Current IssueVol 29, No 1 (2025): silenzio

Published November 10, 2025

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Table of Contents

Editoriale

Silenzio
Paolo Zermani
2-17
DOI: https://doi.org/10.36253/FiA-16814

Articles

Il silenzio e il tacere
Enzo Bianchi
16-19
DOI: https://doi.org/10.36253/FiA-16815
Le ‘cose’ hanno un loro silenzio e una loro musica
Mario Brunello
20-25
DOI: https://doi.org/10.36253/FiA-16834
Claudio Parmiggiani – Faro d'Islanda
Giuseppe Cosentino
26-37
DOI: https://doi.org/10.36253/FiA-16816
Mario Botta – Cappella Granato, Penkenjoch, Austria
Michelangelo Pivetta
38-49
DOI: https://doi.org/10.36253/FiA-16817
Alberto Campo Baeza – Pala d’altare nella Basilica della Vergine miracolosa, Madrid, Spagna
Caterina Lisini
50-61
DOI: https://doi.org/10.36253/FiA-16818
Markus Schietsch Architekten – Crematorio di Thun, Svizzera
Chiara De Felice
62-73
DOI: https://doi.org/10.36253/FiA-16819
Leopold Banchini – Dar El Farina, Al Haouz, Marocco
Giulio Basili
74-85
DOI: https://doi.org/10.36253/FiA-16820
Pablo Millán – Restauro e riconversione del Monastero delle Clarisse, Beas de Segura, Spagna
Fabio Fabbrizzi
86-97
DOI: https://doi.org/10.36253/FiA-16821
José Ignacio Linazasoro – Chiesa di San Lorenzo a Valdemaqueda, Madrid, Spagna
Simone Barbi
98-109
DOI: https://doi.org/10.36253/FiA-16822
Studio Zhu Pei – Centro per l'arte OCT, Zibo, Shandong, Cina
Fabrizio Arrigoni
110-121
DOI: https://doi.org/10.36253/FiA-16823
Peter Märkli – La Congiunta. Giornico, Svizzera
Alberto Pireddu
122-133
DOI: https://doi.org/10.36253/FiA-16824
Espacio Escultórico UNAM. L’emozione e il suo silenzio
Andrea Innocenzo Volpe
134-145
DOI: https://doi.org/10.36253/FiA-16825
Costantino Nivola – Cappella del Corpo di Cristo
Gabriele Bartocci
146-155
DOI: https://doi.org/10.36253/FiA-16827
Adolphe Appia e la poetica del vuoto
Federico Gracola
156-165
DOI: https://doi.org/10.36253/FiA-16828
«L’odore del silenzio». La mostra Nuova Arte Italiana di Franco Albini e Franca Helg al Liljevalchs Konsthall di Stoccolma
Lorenzo Mingardi
166-175
DOI: https://doi.org/10.36253/FiA-16829
Il silenzio della montagna
Francesco Collotti
176-185
DOI: https://doi.org/10.36253/FiA-16830
Vilhelm Hammershøi e le stanze del silenzio
Francesca Privitera
186-195
DOI: https://doi.org/10.36253/FiA-16831

Letture

LETTURE
196-199
DOI: https://doi.org/10.36253/FiA-16832
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