Vol. 5 No. 5 (2015): From the Frontiers of Writing: Pol/Ir/ish Intertexts, edited by Fiorenzo Fantaccini, Luigi Marinelli
Sezione monografica / Monographic Section

The Era of Tadeusz Pawlikowski and Irish Theatre

Barry Keane
BSFM: Laboratorio editoriale OA (Responsabile)

Published 2015-06-17

How to Cite

Keane, B. (2015). The Era of Tadeusz Pawlikowski and Irish Theatre. Studi Irlandesi. A Journal of Irish Studies, 5(5), 37–48. https://doi.org/10.13128/SIJIS-2239-3978-16327

Abstract

Tadeusz Pawlikowski was arguably Poland’s greatest theatre director of the fin de siècle. With stints as Theatre Manager in both Kraków and Lwów municipal theatres, Pawlikowski excelled in developing ensemble casts and cultivating audiences without kowtowing to popular tastes. He was also responsible for bringing many western plays to partitioned Poland, and indeed he oversaw theatrical premieres of Oscar Wilde, George Bernard Shaw and John Millington Synge. This paper will look at the production and reception of these plays and will record how there was a growing conviction amongst Polish critics that Irish dramatists would soon make a towering impact on the age. That said, not all the productions were as successful as perhaps they should have been. When in Lwów, Pawlikowski attempted to flood the city with drama and this ambition entailed brief run-throughs and the shortening of texts in order to facilitate the learning of lines. Needless to say, there was little time for work on characterization. Consequently, it was often pointed out that performances had failed to bridge the cultural gap where a foreign piece was concerned. To this end, this paper will assess both the contribution of Tadeusz Pawlikowski to Irish theatre, and the reception and legacy of the productions which took place under his directorial guidance.

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