Foreword Lorenzo Bartalesi, Mariagrazia Portera 3-4 PDF DOI: https://doi.org/10.13128/Aisthesis-25616
The mimetic creation of the Imaginary Christoph Wulf 5-14 PDF DOI: https://doi.org/10.13128/Aisthesis-25617
From the aesthetic mind to the human cultures: Towards an anthropology of aesthetics Lorenzo Bartalesi 15-26 PDF DOI: https://doi.org/10.13128/Aisthesis-25618
Playing with pattern. Aesthetic communication as distributed cognition José Ignacio Contreras 27-39 PDF DOI: https://doi.org/10.13128/Aisthesis-25619
From Aesthetic to Epistemic Structures and back: Complex Dynamics between Art and Science Fausto Fraisopi 41-54 PDF DOI: https://doi.org/10.13128/Aisthesis-25620
Is aesthetic mind a plastic mind? Reflections on Goethe and Catherine Malabou Valeria Maggiore 55-60 PDF DOI: https://doi.org/10.13128/Aisthesis-25621
From the Extended Mind to the Digitally Extended Self: A Phenomenological Critique Federica Buongiorno 61-68 PDF DOI: https://doi.org/10.13128/Aisthesis-25622
Techno-aesthetic Thinking. Technicity and Symbolism in the Body Anna Caterina Dalmasso 69-84 PDF DOI: https://doi.org/10.13128/Aisthesis-25623
The Geometric Enigma. A Book Symposium Ellen Dissanayake, Dean Falk, Fabio Martini 85-98 PDF DOI: https://doi.org/10.13128/Aisthesis-25624
The Aesthetics of Marina Abramović: In Conversation with the Artist Marta Rosa 99-106 PDF DOI: https://doi.org/10.13128/Aisthesis-25625
Eating an Onion. Notes on Marina Abramović Andrea Mecacci 107-114 PDF DOI: https://doi.org/10.13128/Aisthesis-25626
Aesthetics, theatricality and performativity: an introduction Maddalena Mazzocut-Mis 115-122 PDF DOI: https://doi.org/10.13128/Aisthesis-25627
Doubt and Indifference: Threshold Conditions within the Work of Art Andrew Benjamin 123-133 PDF DOI: https://doi.org/10.13128/Aisthesis-25628
Theatricality in Installation Artworks: An Overview Elena Tavani 135-150 PDF DOI: https://doi.org/10.13128/Aisthesis-25629
La ri-creazione della quotidianità: medium, sguardo e costruzione finzionale nella fotografia di Jeff Wall Michele Bertolini 151-163 PDF DOI: https://doi.org/10.13128/Aisthesis-23869
The Sublime in Lutoslawski’s Three Poems of Henri Michaux (1961-63) Marianela Calleja 165-173 PDF DOI: https://doi.org/10.13128/Aisthesis-25630
Culture and Affect in Aesthetic Experience of Pictorial Realism: An Eighteenth-Century Korean Literatus’ Reception of Western Religious Painting in Beijing Ju-Yeon Hwang 175-188 PDF DOI: https://doi.org/10.13128/Aisthesis-25631
Les frontières entre réel et imaginaire à l’épreuve des promenades sonores in situ (Soundwalks) Lucia Angelino 189-203 PDF DOI: https://doi.org/10.13128/Aisthesis-24936
