Articles
Published 2014-02-26
Keywords
- improvisation,
- musical expressiveness,
- listening experience,
- creation process
How to Cite
Canonne, C. (2014). L’appréciation esthétique de l’improvisation. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 6(3), 331–356. https://doi.org/10.13128/Aisthesis-14109
Abstract
In this paper, I defend the idea that the way we listen to improvisation depends on the very ontological nature of improvisation. More specifically, I argue that improvisation calls for an intentionalist listening, by which the listener follows the improvisation as the creative process that it is. This listening attitude is made possible by the heightening of musical experience inherent to the improvisational situation and by the empathy linking the audience to the improvisers – both the consequences of improvisation’s ontological and temporal structure.Metrics
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