La riuscita musicale. Viaggio tra estetica e psicoanalisi

Abstract

The focus of this paper is the topic of musical success and, more generally, of aesthetic success. Within the analytic aesthetics, the need to shift the musical experience on two floors, on two levels, it is increasingly evident. Sometimes, as in the case of those theories that defend a form of ontological realism, this dislocation ends up sacrificing the notion of experience. Can you speak of success within a theory of experience? In order to answer the question this paper attempts to create a dialogue between aesthetics and psychoanalysis.