Vol. 6 No. 3 (2013): Vol 6 (2013) Special Issue – Ontologie musicali
Articles

Composizione e improvvisazione: dove sta la differenza?

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  • Daniele Goldoni
DOI: https://doi.org/10.13128/Aisthesis-14099

Published 2014-02-26

Keywords

  • improvisation,
  • composition

How to Cite

Goldoni, D. (2014). Composizione e improvvisazione: dove sta la differenza?. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 6(3), 133–153. https://doi.org/10.13128/Aisthesis-14099
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Abstract

Improvisation is often conceived as making music without reading a score. This interpretation derives from the Western identification of composition with written music. But “improvisation” too is a form of composition – and not just in “real time” – with aims and criteria that differ from those of written music. Today the interest in improvisation is growing –and even changing with respect to the postwar years – in connection with changes in music, sound and social relationships, reflecting new media developments.
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