Vol. 3 No. 2 (2010): Costellazioni tempestive. Warburg- Adorno-Benjamin, Adorno
Varia

La musique et le rêve

Published May 15, 2012
Keywords
  • Adorno,
  • Music,
  • Dream
How to Cite
Hirt, A. (2012). La musique et le rêve. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 3(2). https://doi.org/10.13128/Aisthesis-11020

Abstract

Adorno, in his posthumous work Beethoven. Philosophy of music, grasps the deep relationship between music and dream: “we are in music, as well as we are in dream”. Music is the coming of a non-intentional truth, that is never caught by images and words. In the same way, dream follows the logic of a non-giudicatory synthesis and is incompatible with the category of dialectical totality: in dream, truth announces her-self as it fades out. According to Adorno, the dimension of opening typical to dream and music collides with the pretension of philosophical discourse that aims at the total revelation.

Metrics

Metrics Loading ...