@article{Morciano_2018, title={Estremo d’ombra: an interactive electronic composition}, volume={12}, url={https://oajournals.fupress.net/index.php/mt/article/view/7480}, DOI={10.13128/Music_Tec-23802}, abstractNote={<p>In <em>Estremo d’ombra</em>, for five soloists and electronics (2015), an interactive system was developed in order to enable the synchronisation between the performers and the live electronics – consisting of real-time processing and synthesis – to be composed in detail. This system led to the creation of a ‘centralised’ score for the electronics realised in the Antescofo programming language, which pilots electroacoustic processes executed in the SuperCollider and Max/MSP environments and displays scores for the performers in openFrameworks. The Antescofo system allows for the expression of temporally complex interactions involving the instrumentalists, rendering the composition of the real-time electronics more dynamic and expressive. This system eliminated the need for a conductor or a pedal of activation, thereby allowing the performers to interact and move more freely. The staging of the work is emphasised by lighting and a symbolic dramatic narrative.</p>}, number={1}, journal={Musica/Tecnologia}, author={Morciano, Lara}, year={2018}, month={Aug.}, pages={87–108} }