Estetica, testo e spettacolo da Venezia a Napoli: Francesco Cerlone adattatore de I due fratelli nimici di Carlo Gozzi

Abstract

After exploring some of the possible channels of contact between Carlo Gozzi and the sphere of Neapolitan theatre, this study presents an analysis of the points of convergence and divergence between Gozzi’s I due fratelli nimici and Francesco Cerlone’s adaptation of the same play, giving special attention to consequences of aesthetics, ideology and spectacle.