Vol 11, No 2 (2018): Aesthetics of Photography

Issue Description

Edited by Fabrizio Desideri and Maddalena Mazzocut-Mis

Table of Contents

Monographica

Foreword
Fabrizio Desideri, Maddalena Mazzocut-Mis
3-6
DOI: https://doi.org/10.13128/Aisthesis-24032
Jorge Molder: 'I’m a photographer in particular'. Interview with Claudio Rozzoni
Jorge Molder, Claudio Rozzoni
7-14
DOI: https://doi.org/10.13128/Aisthesis-23858
Fotografia e infrasottile
Elio Grazioli
15-21
DOI: https://doi.org/10.13128/Aisthesis-23424
Some Photographic Images Are Transparent
Won-Leep Moon
23-33
DOI: https://doi.org/10.13128/Aisthesis-23113
Photographic Manipulation and Photographic Deception
Zsolt Batori
35-47
DOI: https://doi.org/10.13128/Aisthesis-23863
The Ontology of Photography A Reassessment
Mohamadreza Abolghassemi
49-61
DOI: https://doi.org/10.13128/Aisthesis-23738
Cinematic Intertextuality and the Aesthetics of Ambiguity from Antonioni to Aldridge
Gerrard Carter
63-73
DOI: https://doi.org/10.13128/Aisthesis-23396
Aesthetics and Politics of the Fashion Image: A Queer Perspective
Roberto Filippello
75-85
DOI: https://doi.org/10.13128/Aisthesis-23331
Photographic agents. Jorge Molder: detective, magician, actor.
Claudio Rozzoni
87-99
DOI: https://doi.org/10.13128/Aisthesis-23818
Tableaux vivants. Da Diderot a Jeff Wall
Maddalena Mazzocut-Mis
101-113
DOI: https://doi.org/10.13128/Aisthesis-23249
Léal souvenir? La photographie, la peinture et le serment de l’image fidèle
Bertrand Rougé
115-128
DOI: https://doi.org/10.13128/Aisthesis-22780
Photographing Sculpture: Aesthetic and Semiotic Issues
Francesca Polacci
129-143
DOI: https://doi.org/10.13128/Aisthesis-23300
L’esperienza per immagini: condizionamento e possibilità dello sguardo fotografico nella percezione dell’arte
Caterina Zaira Laskaris
145-164
DOI: https://doi.org/10.13128/Aisthesis-23299
Lo scarto visuale e il supplemento dell’immagine: le «scritture di luce» del campo di concentramento di Mauthausen
Renato Boccali
165-177
DOI: https://doi.org/10.13128/Aisthesis-23408
Sparks of reality: on the temporalities of the photographic image
Nélio Conceição
179-188
DOI: https://doi.org/10.13128/Aisthesis-23456
Istantanee. Note su «fotografia» e «tempo» a partire da La Jetée di Chris Marker
Francesco Vitale
189-196
DOI: https://doi.org/10.13128/Aisthesis-23449
A territory of our own
Maria Filomena Molder
197-205
DOI: https://doi.org/10.13128/Aisthesis-23868

Focus

The New Theory of Photography: Critical Examination and Responses
Catharine Abell, Paloma Atencia-Linares, Dominic McIver Lopes, Diarmuid Costello
207-234
DOI: https://doi.org/10.13128/Aisthesis-22969

Varia

Rapporti analogici tra individuo e società nella Repubblica di Platone
Tommaso Meozzi
235-246
DOI: https://doi.org/10.13128/Aisthesis-22819
Temporality and Beauty in Antony and Cleopatra
Giuseppe Di Giacomo
247-260
DOI: https://doi.org/10.13128/Aisthesis-22968
Walter Benjamin and the Principle of Repetition
Marina Montanelli
261-278
DOI: https://doi.org/10.13128/Aisthesis-23419
Uomo e materia. Mono-Ha tra zen e fenomenologia
Pasquale Fameli
279-286
DOI: https://doi.org/10.13128/Aisthesis-22941
Corrado Ricci: le radici estetico-antropologiche di una politica museale
Chiara Cantelli
287-299
DOI: https://doi.org/10.13128/Aisthesis-23982

Notes

Note & Recensioni
301-307
DOI: https://doi.org/10.13128/Aisthesis-24452
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