The musical work in cyberspace: some ontological and aesthetic implications Alessandro Arbo 5-27 PDF DOI: https://doi.org/10.13128/Aisthesis-18232
Plato on the Stream. Platonism in the Age of Streaming Frédéric Bisson 29-49 PDF DOI: https://doi.org/10.13128/Aisthesis-18233
Listening to Music in the Digital Era Giacomo Fronzi 51-69 PDF DOI: https://doi.org/10.13128/Aisthesis-18234
Skipping the tracks. The experience of musical improvisation online Roberto Zanetti 71-86 PDF DOI: https://doi.org/10.13128/Aisthesis-18235
Performances Compared. Sequential replication of the same music piece on an audiovisual file Giorgio Armato 87-95 PDF DOI: https://doi.org/10.13128/Aisthesis-18236
Apple Music. La fin de l’histoire? Stéphane Gasparini 97-114 PDF DOI: https://doi.org/10.13128/Aisthesis-18237
Perspective and Spatiality in the Modern Age Fausto Fraisopi 115-133 PDF DOI: https://doi.org/10.13128/Aisthesis-18238
Benjamin, Desnos et la place d’Atget dans l'histoire de la photographie Ricardo Ibarlucía 135-151 PDF DOI: https://doi.org/10.13128/Aisthesis-18239
Fisiologia del gesto. Fonti warburghiane del concetto di Pathosformel Jessica Murano 153-175 PDF DOI: https://doi.org/10.13128/Aisthesis-18240
“Intermittency: the differential of time and the integral of space. The intensive spatiality of the Monad, the Apokatastasis and the Messianic World in Benjamin's latest thinking” Fabrizio Desideri 177-187 PDF DOI: https://doi.org/10.13128/Aisthesis-18241
