Foreword. Europe at war: almost eighty years later Fabrizio Desideri, Andrea Mecacci, Francesco Valagussa 3-5 PDF
A vertiginous polemology. Around the motif of war in Roger Caillois Luigi Azzariti-Fumaroli 7-14 PDF DOI: https://doi.org/10.36253/Aisthesis-14808
L’art de mettre à part. Autour d’un affect guerrier Déborah Brosteaux 15-27 PDF DOI: https://doi.org/10.36253/Aisthesis-15141
Some aspects of Pólemos and catastrophe according to Ernst Jünger and Simone Weil Antonio Dall'Igna 29-39 PDF DOI: https://doi.org/10.36253/Aisthesis-14428
War, image, art: From vision to judgement Alessio Fransoni 41-54 PDF DOI: https://doi.org/10.36253/Aisthesis-14461
«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture Alice Iacobone 55-66 PDF DOI: https://doi.org/10.36253/Aisthesis-14455
“Warfare is a specialised variety of hunting” Maria Filomena Molder; Robert Vinten 67-72 PDF DOI: https://doi.org/10.36253/Aisthesis-14759
From allegory to figure and back again Daniele Guastini 81-90 PDF DOI: https://doi.org/10.36253/Aisthesis-14634
The secularizing nature of Christian choice for images Graziano Lingua 91-98 PDF DOI: https://doi.org/10.36253/Aisthesis-14707
Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi Quentin Gailhac 99-107 PDF DOI: https://doi.org/10.36253/Aisthesis-14296
Back and forth around critique. Some notes on Horst Bredekamp, between history and theory Davide Mogetta 109-119 PDF DOI: https://doi.org/10.36253/Aisthesis-14438
Mathematical beauty: On the aesthetic qualities of formal language Deborah De Rosa 121-131 PDF DOI: https://doi.org/10.36253/Aisthesis-14790
Bernard Stiegler’s postfoundational aesthetics and gestural apparatuses for a memory to come Luis Guerra Miranda 133-146 PDF DOI: https://doi.org/10.36253/Aisthesis-14746
