CECCHI, A. To imitate all that is hidden. The place of mimesis in Adorno’s theory of musical performance. Aisthesis. Pratiche, linguaggi e saperi dell’estetico, [S. l.], v. 10, n. 1, p. 131–138, 2017. DOI: 10.13128/Aisthesis-20913. Disponível em: https://oajournals.fupress.net/index.php/aisthesis/article/view/923. Acesso em: 21 nov. 2024.