@article{Pallotto_2012, title={Mnemosyne. Un Trauerspiel moderno da Amburgo. In bianco e nero}, volume={3}, url={https://oajournals.fupress.net/index.php/aisthesis/article/view/562}, DOI={10.13128/Aisthesis-11013}, abstractNote={Warburg’s inquiry does not oppose Renaissance to Baroque; on the contrary the Renaissance shows here the features of those melancholy which for Benjamin belongs to the seventeen-century “Trauerspiel”. The melancholy constellation of the past, the mirror in which – both for Benjamin and for Warburg – actuality looks at itself, is enlightened in Benjamin by a redemption spark that is denied to Warburg. The set of photographic fragments to which, like a modern “Trauerspiel”, the “Mnemosyne Atlas” reduces the world does’t admit indeed any transcendence.}, number={2}, journal={Aisthesis. Pratiche, linguaggi e saperi dell’estetico}, author={Pallotto, Manuela}, year={2012}, month={May} }