Vol. 8 No. 1 (2015): The Aesthetic Mind and the Origin of Art

Phenomenology and Neuroaesthetics

Published May 18, 2015
  • Aesthetic Mind,
  • Phenomenology,
  • Neuroaesthetics,
  • Leib
How to Cite
Franzini, E. (2015). Phenomenology and Neuroaesthetics. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 8(1), 135-145. https://doi.org/10.13128/Aisthesis-16212


Phenomenology is not the simple description of a fact, but rather the description of an intentional immanent moment, and it presents itself as a science of essences, and not of matter of facts. The Leib, the lived body of the phenomenological tradition, is not a generic corporeal reality, but rather an intentional subject, a transcendental reference point, on the base of which the connections between physical body and psychic body should be grasped. So, the reduction of empathy to mirror neurons amounts to an “objectivisation”, with the consequent absolutisation of a process that is a function of the Leib as intentional subject, not as a physical reality. The main task of the philosophical research, bracketed by the new “neuro” researches, thus emphasizing their theoretical limits as soon as they depart from experimental enquiries, is then to understand the conditions of possibility of cognitive procedures, that is to say, in other words, the genesis of consciousness, that in aesthetics becomes “the genesis of aesthetic consciousness”. Interdisciplinarity is already an ancient and out of fashion word, now it is the time of “dialogue”, being aware however that the “logoi” not always require synthesis, and that the unity of the corporeal reality implies, as Husserl emphasizes, very different descriptive behaviours.


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