Vol. 5 No. 2 (2012): Il verso dell’immagine
Monographica

Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio

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  • Luisa Giacobbe
DOI: https://doi.org/10.13128/Aisthesis-11464

Published 2012-10-16

Keywords

  • Supports/Surfaces,
  • Deconstruction,
  • Limit,
  • Image

How to Cite

Giacobbe, L. (2012). Gli artisti di Supports/Surfaces e l’esperienza del limite. Dalla decostruzione del quadro alla dialettica dello spazio. Aisthesis. Pratiche, Linguaggi E Saperi dell’estetico, 5(2), 101–122. https://doi.org/10.13128/Aisthesis-11464
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Abstract

At the end of  the 1960s “Supports/Surfaces” artists start deconstructing paintings to jeopardize their representational qualities. Claude Viallat and Daniel Dezeuze, for example, process canvases and frames to highlight their phisical aspect as opposed to the illusionistic realm or representation. This way polarities such as form/space and illusionistic space/real space start having a new, dialectic relationship.

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