La fabrique de l’art

Abstract

The several ways of access to artworks and their various ways of presentation play a main part in the current situation of art. It is time for philosophical thought to take them into account. These remarks aim to clarify this situation, and to draw some of it consequences, from a philosophical view intended to incorporate into our concept of art its different ways of activation. The art factory has more than one trick up one's sleeve, and criticism can be also caught out. We need a change in artworks ontology.