About


ⓘ This journal is no longer published by Firenze University Press; starting in 2024, it will be published by our friends at Mimesis Edizioni.
Please visit this link to browse the latest Issues.


Founded in 2008 by Fabrizio Desideri and Giovanni Matteucci, «Aisthesis. Pratiche, linguaggi e saperi dell’estetico» is a peer-reviewed Open Access Journal whose focal aim is to promote interdisciplinary and transcultural research and debate in Aesthetics and the arts. Transcending traditional subject boundaries and understanding the notion of "aesthetic" as a pervasive component of human cultures and life forms, Aisthesis innovatively integrates a major focus on the intersection between aesthetics and the contemporary sciences (biology, psychology, neurosciences) with an in-depth interest in the history of the discipline, its leading classics and great metaphysical questions.

The journal appears biannually, in spring and autumn, and welcomes insightful academic articles and timely book reviews. Each issue includes a thematic cluster and a miscellany; call for papers are regularly announced on the journal website. "Aisthesis" is indexed, among others, in The Philosopher's Index, SCOPUS, PhilPapers, Google Scholar, and WoS Clarivate.

Editor-in-Chief
Fabrizio Desideri, Università di Firenze, Italy

ISSN 2035-8466 (online)

Aisthesis. Pratiche, linguaggi e saperi dell’estetico, as of September 2024, is indexed in:

Current IssueVol 16, No 2 (2023): Towards a new “aesthetics of war”? Is Polemos still father of all things?

Published February 6, 2024

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Table of Contents

Monographica

A vertiginous polemology. Around the motif of war in Roger Caillois
Luigi Azzariti-Fumaroli
7-14
DOI: https://doi.org/10.36253/Aisthesis-14808
L’art de mettre à part. Autour d’un affect guerrier
Déborah Brosteaux
15-27
DOI: https://doi.org/10.36253/Aisthesis-15141
Some aspects of Pólemos and catastrophe according to Ernst Jünger and Simone Weil
Antonio Dall'Igna
29-39
DOI: https://doi.org/10.36253/Aisthesis-14428
War, image, art: From vision to judgement
Alessio Fransoni
41-54
DOI: https://doi.org/10.36253/Aisthesis-14461
«Lay it into the open wounds». Art at war in Maria Kulikovska’s performative sculpture
Alice Iacobone
55-66
DOI: https://doi.org/10.36253/Aisthesis-14455
“Warfare is a specialised variety of hunting”
Maria Filomena Molder; Robert Vinten
67-72
DOI: https://doi.org/10.36253/Aisthesis-14759
The war behind this war
Francesco Valagussa
73-80
DOI: https://doi.org/10.36253/Aisthesis-14453

Focus

From allegory to figure and back again
Daniele Guastini
81-90
DOI: https://doi.org/10.36253/Aisthesis-14634
The secularizing nature of Christian choice for images
Graziano Lingua
91-98
DOI: https://doi.org/10.36253/Aisthesis-14707

Varia

Imitation and Expression. Inauthenticity in music according to Giacinto Scelsi
Quentin Gailhac
99-107
DOI: https://doi.org/10.36253/Aisthesis-14296
Back and forth around critique. Some notes on Horst Bredekamp, between history and theory
Davide Mogetta
109-119
DOI: https://doi.org/10.36253/Aisthesis-14438
Mathematical beauty: On the aesthetic qualities of formal language
Deborah De Rosa
121-131
DOI: https://doi.org/10.36253/Aisthesis-14790
Bernard Stiegler’s postfoundational aesthetics and gestural apparatuses for a memory to come
Luis Guerra Miranda
133-146
DOI: https://doi.org/10.36253/Aisthesis-14746

Notes

Note e recensioni
147-152
DOI: https://doi.org/10.36253/Aisthesis-15144
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